"Boston Tea Party" - "Spies glamor"

The album of the same name could be written as trendy DJs and hardened kontrkulturschiki. "Boston Tea Party" occupies a niche somewhere between "Obermanekenom" and "Aquarium" period Bowie. CD. Nemo Records, 2009. And there is not, in fact, even this niche. BG revenge tortured postmodern idol "Obermaneken" carried the lifeless existence. Hottest time of glamor with the local scene branded the entire understanding of classicism in ancient art. It would be a mistake to be fully consider all the antics of glossy magazines and television shows, but it is impossible to see this quiet literary style with references to the classics usually completely disappeared from our musical elements. To quote - it's just for the sake of irony. Irony irony and successfully concealed the simple idea that there is nothing to say to the author. "Boston Tea Party" - "Spies Glamour" Vladimir Preobrazhensky played keyboards in "Obermanekene" previously in civil engineering syurrealiticheskih "The Flying Dutchman" and "The Alchemical Cabaret saw them in January Potocki.." In real life - music and not just a journalist. Since 2000, he created stained "Boston Tea Party" loitering capital club with stylish elegant songs varying degrees of nervousness. Judging by the fact that the first album the band released only in the ninth year, it is clear that the mass popularity of such an approach does not deserve. But aroused respect those who appreciate fine style and design ready courtesy. On the album, "Spies Glamour" sealed seven songs (the capital - in two versions), known as "Ze Best" of the past nine years, could, if the term "hit" would not be so far away from the universes of the Transfiguration . These songs are not said on the radio - they intentionally unformatted, although it is traditionally placed. Precise rhythm section, infernal violin Daniel Shlapakova, brutal sax Paul Verenchikova and capricious nervous voice of the Transfiguration. Songs sometimes deliberately sloppy play by the roughness, the vocals clearly excessive amount of treatments. But it's a breath of life in the songs, as if live music in front of us. "Spies glamor" about "And we go on Tverskaya in a landau," and although "we write nothing in the papers and will not be shown in the news CNN," but "We courtly peacock feathers adorn the capital City Hall the morning "- it's glossy silver age, as the current glamor contrary. Conscious transfer. One of the most famous songs of "Last Tango in Paris" in a clear, which is explained quite stoically: "Who remembers this dance, but we live in this city, except us" dandy time walking in the Silver Age of modern Moscow, and with narcissism characterize their exclusivity and scarcity. It looks challenging, provocative and ... revealing. Egocentric sensuality permeates all of the songs of the Transfiguration, forcing the audience to look for a reference to Baudelaire, Huysmans, Mayakovsky, and solve the burning question: "Who are you, masters of culture?" One on the other side, or this? Transfiguration sharpens and provokes (desperately sorry that are not strong on the album symbolically, "Your affectionate leader" was recorded). Wants to achieve. Estetizirovat audience wants to look at the familiar in order to discover new units. And the desperate nature of these breeds, "You see these cartoons, write cartoons Cartoons, Caricatures, Cartoons.." Album "Spies Glamour" recorded snapshot of the most interesting conceptual Russian groups like lightning. And this is interesting. Constantly changing decadence substance "Boston Tea Party" stuck in front of a brightly lit wall, turned into a picture disc, and follow the dark out again reached to the smoky jazz clubs - organize plays, readings of poems in French to the ladies look in boas and corsets. Vadim Ponomarev, NEWSmusic.ru tracklist for "Boston Tea Party" - "Spies glamor" 1 "Spies glamor" 2 "Nocturne" 3 "Cartoons" 4 "Last Tango in Paris" 5 "Passengers" 6 "There, behind a wall of" 7 New escapism 8th Spies Glamour