Ekaterina Melnikova misunderstood

Unique body performance with ensembles Bakery and The Pocket Symphony, choir Vetrate Tues Voci and Indian dance was under the rear instead of leaving viewers. Active academic musicians experiment in this country - one, two, and a handful. Ekaterina Melnikova - them. A graduate of the Moscow Conservatory, and graduated from the Royal Academy of Music in London, she worked for many years in Europe and then served as principal organist at Moscow's Cathedral of the Immaculate Conception Pr Virgin Mary, taught organ improvisation Gnesinka. And she became famous very unusual in our performances JOHNSON -. With a laser show, a hard rock band, dancing, bikes and chairs Ekaterina Melnikova your new show "Crossroads / Crossroads", which premiered on November 6 in Hall Tchaikovsky -.. The same number and the same spirit it was "weird" because most Melnikova conceived in science Melnikov an exceptional program for organ. remixes, the treatment of the most popular and current tunes - Tirso, Legrand, Strauss, Gershwin, Prokofiev, Piazzolla, Mozart, Tchaikovsky, and finished this remix of the famous organ works - Toccata and Fugue in B Minor by Bach Some remixes Melnikov performed solo. on other sites attracted vzrezaniyu class partners. unusual happened. With sounding organ in the Tchaikovsky Hall were always valid claims, but this time it seemed dull and electrified body perfectly zamyslennuyu score innovator picky fit Percussion Pekarsky sky sublime choral sound, impeccable Vetrate Tues Voci p / u Alexis Robinson, sophisticated music-making The Pocket Symphony, techno mixes electronic musician Anton Korolev and pretty dirty sounding guitar Peter Parshin. Ensemble Pekarsky course, not all turned out. Organ thoroughness fierce resistance ease and grace of the music of Strauss, Piazzolla turned remixes gruznovatymi and unjustifiable. But how poliritmichny Gershwin plays in a sheath solo Melnikova, open or soulful melodies in the mix of hits from Queen, Muse and Scorpions! Was the new European standard, Jan Tiersen (music from "Amelie") won almost Bach depth. And Indian motifs in co-Melnikova, male group Vetrate Tues Voci and suddenly zapevshego heoreografa Ashwani Nigam (and decent organic and pathetic zapevshego) highlighted the role of two different cultures, so that was a new cultural perspective in this magnificent vocal trust each relay. Vetrate Tues Voci choir Oh, was nearly full Tchaikovsky Hall not ready to experiment. Who came up with the "classical concert" audience gazed in amazement at the guitars and synths, and their confusion thought no one to solve. Melnikov do not speak, because it is necessary to explain the reps at the show it was not. Unprepared audience "kills off" with the negative number pop soundtrack, and then quickly began to empty hall. Heated the situation as an incredible show for the pause between numbers. So at the end of the concert in the hall sat on the strength of a third came. Show somehow disintegrated into fragments, a breath and sheer style is attached to the "Crossroads" not yet developed. Ekaterina Melnikova have to learn from this sad story. I believe that if in this space as an unprepared public speaking Sergei Kurehin - waiting for him a similar fate. Nevertheless, this is a big step forward. Melnikov is a new thing that the topic of remixes, or, if you will, on the decomposition of the molecule is the spirit of the organ. She tried to return the majestic tubular function of the first brass band and the first synthesizer. And in many ways this is from her. Not their fault that they are not skilled keyboardist and underestimates the role of the drive, the incredible power of the primitive rock concert. All forward. Talented street on foot. Vadim Ponomarev Photo - Svetlana Maltseva