Moscow is the third major festival Rssiyskogo National Orchestra. The second night on the stage of the hall to them. Tchaikovsky was a concert of the famous Bulgarian opera star Veselin Kazárová. It was her first appearance in Moscow. Kazárová born in Stara Zagora. In four years, he learned to play the piano. At sixteen recitals. But it attracts more and more vocal, and she decided to make her vocal training at the Faculty of the Sofia Conservatory. After graduating in 1988, she made her debut at the Sofia National Opera Feneny in "Nabucco" by Verdi. Then added to their repertoire party Rosina in "The Barber of Seville", Dorabella in "Cosi fan tutte" by Mozart. The win at the International contest "New Voices" in Gütersloh in Germany brought young singer invited the Zurich Opera, where she played Olga in "Eugene Onegin" and Anna in "Trojans" by Berlioz. In 1991 Veselin debuted at the Salzburg Festival in the party Annius in "La Clemenza di Tito" by Mozart, and for them. The doors of the best opera houses in Europe and the U.S. Today Kazárová stands at La Scala, Paris, Vienna, Bavaria, Swiss Opera, Covent Garden and the theater "Liceu" in Barelone, "Metropolitan Opera" in New York City, the Lyric Opera of Chicago, and many others. Permanent member of the renowned festivals in Salzburg, Munich, Rossini Festival in Pesaro. Identified your big, beautiful, fluid and expressive mezzo-soprano with a mass of sounds, dramatic overtones and temperament and repertoire. Saint-Saens, Bizet, Massenet: Firstly, it is known as an interpreter of the operas of Mozart, Rossini, Bellini, Donizetti, kompozitorova French. Veselin Kazárová included in the program of the Moscow concert Veselin Kazárová arias from operas by Mozart and Rossini, and the rarely played in Russia. For many viewers, it is a very beautiful and inspiring introduction to Mozart's "La Clemenza di Tito" and "Mithridates, King of Pontus," Rossini's "Tancredi" and "L'Italiana in Algeri" was. Veselin Kazárová and Thomas Sanderling evening opened two large fragments from "La Clemenza di Tito" - Aria and Rondo one of the main characters in the opera Sextus. The singer of the finest nuances, gentle piano, expression of natural, luxurious AZR versatile voice managed to show his hero, his love, betrayal of a friend of the Emperor Titus, his genuine remorse. The aria from the opera is Parnach "Mithridates, King of Pontus," suddenly appeared dull sound and a series of lower strained high notes, which was also observed in the performance of Rossini arias, followed Kazárová Arzache ("Semiramide"), Tancred Isabella ( "L'Italiana in Algeri"). It is not always good, and the technical difficulties, especially with the difficult passages. Was this part of the blame, and the orchestra, which in the evening was Thomas Sanderling. Opera music of Mozart and Rossini was not the best shower gifts Maestro. The orchestra under his leadership was not responsive partner of the actors play, rough, loud, sometimes not drowned out the singer was taken into account style and tempo and rhythm of the masterpieces of Mozart and Rossini. This, of course, made it difficult to overcome the not always able to Veselin Kazárová: occasionally lubricated passages, started at the sound. Particularly negative momenoty appeared in orchestral overture to "The Marriage of Figaro" and "Idomeneo" by Mozart, "The Journey to Reims" and "The Italian in Algiers" by Rossini. Fortunately, the concert was even more positive and light. It is above all the talent and skill Veselin Kazárová, her bright personality, stylistic accuracy, the most powerful culture. And the presence of great musicians in the orchestra. This is primarily an oboist Vitaly Nazarov, flutist and clarinetist Konstantin Efimov Alexei Bogorad. Her solo and overtures and a singer was a real gem show, very inspiring and tonally pure and once again in the lap of style Orchestra Mozart and Rossini. Russian National Orchestra, Thomas Sanderling "BiSy" viewers were Veselin Kazárová was completed light control, her solo concert in Moscow. First sang an aria from the opera Dalila in Saint-Saens 'Samson and Delilah', the endless Cantilena, impeccable phrasing and his seductive beauty of its insidious nature. Then praised Russian music that was in the vicinity of individual artists. Joanna aria knocked out "Maid of Orleans" by Tchaikovsky unexpected interpretation. Kazárová she sang softly and passionate, sincere, and very human, which led to deserve the applause of the audience. Elizabeth DYUKINA, "News of Music NEWSmusic.ru»
No comments:
Post a Comment