Dima Bilan made his debut in the Tchaikovsky Hall

Dima Bilan has once again done the impossible: a concert at the Tchaikovsky Hall played with a symphony orchestra police n / Felix Aronofsky. - I loved the room, Gnesinka past, where I studied, and wanted to sing here. And this moment has come. In fact, sometimes more important than the background to the present. Dima graduated Gnesinka, although few remember today. Modest prodigy Karachay-Cherkessia actually graduated from the prestigious music school, and even in the category of "classic song." Of course, no addition, all for the first time, but with respect for the legendary Hall - is the "Concert Encore" ironically named repertoire of the orchestra, and stage performance. The "concert encore" - We meet in a different capacity. They do not come to hear the rumors about his personal life and music. I will not jump (a reference to the jump "Euro Vision" - Ed.), But half a step down (throwing his coat - Ed.), And show that I'm not fat. Dima Bilan start, however, was quite viscous. Dima-Victor came to the concert with a completely cold voice and pressed tapes. Meanwhile, it is the first part of the program it was, with the orchestra perform all space operas. Opera singers usually a week before the game sit on a special diet, protect the voice - but stormy career Bilan all incompatible. The results were abysmal. Not just behind the orchestral intro to "Dreamer" Bilan singing voice his own, rude, inflexible. "In memory of Karruzo" with the transition to a countertenor too hard, the voice sounded hoarse and strange. Bilan attempted to compensate for the failures of fun vocal improvisation, but the voice was desperately stuck in bunches, and putting it in the gym does not work. Dima Bilan and Catherine Arnould Gnesinka duet with former classmates, now an opera singer Catherine Arnould (not foreign, but experiments with famous DJs), also does not work - just do not listen to the voice of Dima. He moved to the Hispanic repertoire singing "Porque Aun Te Amo" from the album, recorded with Rudy Perez - and his voice finally rang in capital letters! And again humiliating failure - was further aria Christ Webber, a sophisticated party that planned recently conducted brilliantly accounting for "Phantom of the Opera". For no voting power, even artistry Bilan nowhere near the standard set by approaching him on the TV show. By the insidious self-confidence, confidence in conquering their skills - there's emancipation, but unpredictably affects the vocal quality. Balance was not convincing, and quite vocal helpless - failed dismissal was entirely superficial drama, and put half of the words in his throat before the audience. Crept into his head the idea of disease ... Dima Bilan sang arias turning point was the song "What I wanted to." Whether accounting raspelsya finally, if he felt a surge of power - but from that moment his eyes filled with vocal power, harmonics, intonation. Recognized accounting. Desperate at this moment wished came at the beginning of the program, pure pop, though. In orchestral arrangements But his voice was getting stronger sound, and there were undertones famous aspiration. Bilan thanked Victor Gourevitch, wrote songs for him, "water and sand", and did all the orchestration of songs. On Never Let You Go - here it's very funny computer samples played string instruments orchestra Aronofsky, strong throw their trumpets. Under the piano, almost acoustic, introduced the song "He did." Stingovsky ballad Shape Of My Heart was elegichen and fresh. The highlight of the performing arts Bilan "not deny love," cover of Pugachev dedicated to the memory of the past that only composer Mark Minkov. Bilan sang passionately, philosophy, gently. It is very difficult to perform a song, and the heated Bilan took into account all the details - not joined pedal jumped slightly in the high register, just intonation and still managed to tell the story of a sensitive restless soul. Really sorry that the repertoire of accounting are no similar songs. But the version of the artist deserves the lowest approval today is not it better than he sings. Dima Bilan in CC Tchaikovsky Noteworthy is the perfect sound of the orchestra Police n / Felix Aronofsky. He was able to convey all the nuances of R'n'B shnogo repertoire Bilan, while subtly emphasizes melodic edge. For example, the "dreamer" brilliantly played brass accents: "How would I" from String Orchestra enthusiastic piano riffs and believe only the cost of support. Bilan sang like a born singer, feel all the nuances and responds to the promises of the orchestra immediately. Final "on the shore of the sky" in shrill orchestral arrangement not a concert is finished. Encore Bilan went to the now known to his fans aria from Paris in the same contralto - and his performance was flawless. Cantilena air and pure third calls in the fourth. Philip Kirkorov and Dima Bilan - It was a historic concert by a great artist! - Said was at this celebration of the life of Philip. And so it is. Despite the fact that the opera failed part apparently Bilan has made the impossible possible. He crossed the borders of genre and made it elegant. In the late artist promised again and again to repeat the experiment, and for the error, it seems indispensable duty. The first pancake turned a bit lumpy, but the potential of Dima looks inexhaustible. Need to relax, sleep - and with flying colors. As it is. For Dima Bilan Ken Guru, "Showbiz News NEWSmusic.ru» Photo - Svetlana Maltsev, Star Photo More images of Dima error Tchaikovsky concert begins Dima Bilan and orchestra n / Felix Aronofsky's Dima Bilan and Yana Rudkovskaya Dima Bilan