"Archstoyanie 2012" has revealed more questions than provided

The music program of the festival "Archstoyanie 2012" surprised ingenuous combination of incompetence and disordered cancel professionalism. Sometimes in the same room. The festival in the Kaluga region is not very musical. The main thing for the organizers - show contemporary art objects arranged in a regular coppice. Somewhere work scope and masterful line - for example, a thread resemble mozgoobrazny "universal mind", but more often than shallow humor about natural crafts - long trampoline, spiral pit, wooden rotunda allegedly Brodsky, "grow" food ... You can look at the subtext, and you can enjoy the fun of environmental protection structures in the fresh air. The main thing for the organizers - show contemporary art objects arranged in a regular coppice. The music did not work out. Or musicians can play or not. And references to Pushkin Brodsky or not saved. Therefore, as a festival of contemporary art program "ArchStoyanie" soon fell into an amazing symbiosis of those who have designed profession and those who are more clever ideas to go, but could not. Vladimir Volkov was sad and painful to watch performance art beautiful bassist Vladimir Volkov without command of his voice Pavel Semchenko (Russian Engineering Theatre AXE). Reading and language of Pushkin, by design, should be accompanied by facial scenes and instrumental improvisation. Oh, mimes of Volkov and Semchenko no, refer to great poems Semchenko unable, and Volkov (no music) in the absence of a decent musical material inevitably slipped on running their own stamps. Reading and language of Pushkin, by design, should be face scenes and instrumental improvisation accompanied yet heartbreaking example - presenting media opera Iraida Yusupova rich white noise product Yusupova with dramatic baritone parties (Alexander Korenkov) and mezzo-soprano ("harpist in hell." Olga Grechko) equipped with a flash of the unit Tesla and dance group. Grechko and Korenkov mainly been used to a difficult post-modern structure Yusupova, came into images and pulled a blanket over everything. But it does not work when to pull - ridiculously clumsy OddDance ballet and "Teatrika" grimace and cumbersome? When the sounds of machines Tesla heard only those who are close to them, and to all of the sound in the open field - so that the audience can not help sharing could for those who can see and who you listen to me? A simple mask on pantomimes and other metaphors - Light barrels of burning wood, the devil was present in him in the same pathetic level of fantasy. When dancers including microphones, and they were in transit notes recite random text - listening was absolutely unbearable. A similar eclecticism between professional-level artists in a room next to the main stage of the "maze". Signs and posters for her, however, forget put the organizers so that the vast majority of guests at the festival is simply nothing about the existence of the "main" scene be. And there were first-class musicians, zatisnutye same Procrustean bed. For example, the beautiful Tatiana Kalmykov forced to sing in front of dozens of spectators, almost all came move is not on the field after the convulsive grimace the owner of the movement culture dancers' PoemaTheatre ". And then go for a lot more spectacular fire show. This is the concept of performance "Metamorphosis" ... Tatiana Has Kalmykov entire team that has not shown to provocations "contemporary art", but honestly and sincerely played their usual program. Ethno-Jazz collaboration safety magic show is probably the best in this year's open air. Subtract the "Indian", added the group in jazz - and we have a very brilliant jazz-rock, played with enthusiasm and passion. Security flaw Magic - singing - cancel Otten improvisations Oleg Maryahina and Dmitry Losev, a dance bit stressed graceful movements of dancers and familiar compositions have gained a fresh and even elegant. Translation of the verb professional translation and interpretation of texts, legal documents. Exit project continued this series. Nu-Jazz in the night box soon as fusion jazz. During one song, the musicians manage to immediately change the style without improvisational skills and inspiration. The volatile duo duel between solo sound cut through the multilayer construction project finish, so that the heads of the audience simultaneously rotated after each of the baton. The group has recently melodic much Logofet Maria takes over the keys, then the violin, and builds throughout the academic playing duets with saxophonist spectacular Anastasia Boguslavskaya. Nu-Jazz in the night box soon as fusion jazz. "Archstoyanie 2012" failed to develop an appropriate range of contemporary music, or at least an outline of the presentation. But demanding audience with the right patience, relevant and on a good modern look at the art of music at the festival is still possible. Compounding the lack of development of the relevant curator music program - until the musicians are in the back of the festival, as a decoy, and not as a full participant in a single concept. Guru Ken, "Music News NEWSmusic.ru» Photo - Svetlana Maltsev, "News Showbiz NEWSmusic.ru»