Young cellist Mstislav Rostropovich in Voronezh remembered lesson. Cellist Narek Hakhnazaryan Made in Voronezh in the Second Platonic Arts Festival on 16 June, together with the Youth Symphony Orchestra under the baton of Yuri Androsov. Before I told the stage a world-class cellist reporters that means for him and the Tchaikovsky Competition Russian soul, he. Mstislav Rostropovich and his own father, a violinist, was taught Narek Hakhnazaryan in Voronezh - I'm pleasantly surprised by the level of the festival - began cellist. - I'm glad that made in Voronezh, to organize a festival in the world, happy to be a participant. - How to choose your program for performance in Voronezh? - "Minstrelsy" Glazunov is my debut. This is a tribute to the Russian culture and the Russian soul that I love, which I soaked for 12 years in Russia, I hope. The basic criterion for selection - play neizbituyu program that rarely executed. Both in Russia and in Voronezh Elgar concerto played rarely. This is one of my favorite shows - it's the victims of World War dedicated, was created under the influence of and horrified by the consequences of war. - Play today with Voronezh Youth Orchestra. What are your impressions of him? - I understand that it's not quite a young man, it is mixed with mentors. It is wonderful when combined experience with youth. Wonderful orchestra - high musicians felt the desire to play and it's a twinkle in his eyes. This sets a positive way. - Narek, in 2011, you were the winner of the Tchaikovsky. What they will horizon revealed? - First, it's gave me no sense to participate in other competitions. To go before the competition, I was with a friend explained nemuzykantu that Tchaikovsky Competition. For us as the Olympic Games for athletes, especially for cellists, because we do not like events If competition for violinists Elisabeth in Brussels. Of course he opened a lot of doors, I had contracts with two leading management in the world, "Intermyuzik Artist Management" in London and "Opus 3" in New York. Plus performances with many leading orchestras and conductors such as La Scala Orchestra, the London Symphony, the Chicago Symphony Orchestra, the Orchestra of the Mariinsky Theatre under Valery Gergiev. - What is the current status of the Tchaikovsky competition in the world rankings? - Tchaikovsky competition in the last 20 years were in the state because of the carve-up, dishonesty, poor organization. But with the advent of the Gergiev everything changed. It sponsors the world attracted to make live webcast, where the best and most respected musicians in the world. Cello jury in 2011 - Mario Brunello, David Geringas, Krzysztof Penderecki are those authorities who would not risk their name ... And they do not have the students attend there. The competition started in the state. I am proud to be one of the first winners of the updated fair competition be Tchaikovsky. - How are the relationships with contemporary composers? - I am interested in new music. I hope to at least one hundredth of cello repertoire, brought that to bring Mstislav Rostropovich, Shostakovich wrote a compelling concert, Prokofiev, Britten, and all, all, all. But of course, I try to balance between the classical and modern repertoire. In November in Sao Paulo, a new concert series that play written by famous composer Leroy Oyrbah she wrote a symphony for cello and orchestra. Didier will play in Rotterdam with Maestro Gergiev, a complex rarely played. ... I would not narrow the interest Cello Quintet by Schubert, but it certainly is one of the most moving and important works. And he plays stops, this is simply not working, it is the desire to turn the page and start anew. It's a fantastic feeling. - Narek you fell in love with his instrument? - At 6 years old I was sent the cello, I was not happy with that play for a few hours a day at the scales instead of football employed. But when I was 11, and my mother gave it all, she was a professor at the Yerevan Conservatory, and came with me to Moscow, then I realized it was destiny, and no way back. My father was a violinist. And I think that thinking in my game a lot of things on the violin, which is passed on from father to me. My parents - the most important teachers. I am glad that I have in my head and in my heart there is a mixture of violin and cello thinking. Cello - a massive, heavy instrument, the violin - a light and thought it easier. And I do not think too hard on the cello, there is a certain lightness of thought. - What you gave master classes Rostropovich? - I can brag that Rostropovich loved me and he often expressed his desire to listen to me and work. They gave great knowledge, emotions, experiences, because he knew how to reach to every man and musician - and the human and musical approach. This is a huge business. - To you it has found a way? - I was playful child in Armenian, confident boy. His approach is that from the beginning, I was besieged by a father. I remember when he started to play a piece, he paid no attention to my game, and I started that here in question in the piano party. But I'm so in 12 years was fascinated him, he had no idea what was in the piano party. And he said the lesson is over, give me a week to play the piano. I was absolutely shocked, because it is difficult, piano, and I'm not on the piano very well. Of course I did not play the piano, but she knew it by heart. That was the whole point of the lesson. The moral of the story is - he brought me a feeling that we do not just play your game, and you play all the music in general. If you play with an orchestra, should be a dialogue. Ivan Tolstoy, "News of Music NEWSmusic.ru» photos
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